Friday, October 27, 2023
When we listen to music
When we listen to music, we must distinguish between the experience of space in a metaphorical sense, that is, when we perceive the space suggested or evoked by the musical characteristics of a piece, such as melody, harmony, and rhythm; and the experience of physical space, which gives us spatial information that has to do with sound sources and the spatial region in which they are located. In analyzing the way we perceive space when we hear musical sources, I will focus on the experience of physical space. I will apply a model of the way we experience non-musical (or environmental) sound sources – a model that I will call the “matryoshka model” – to the perception of musical sound sources. The conclusion I will reach is that the spatial experience of non-musical sound sources and the spatial experience of musical sound sources are similar, at least with regard to those musical compositions in which space is used as a certain type of aesthetic medium. Furthermore, my analysis suggests that if we want to understand the difference between the musical experience and the experience of non-musical sounds in relation to space, we must focus on the experience of space in a metaphorical sense.
Explanation:
The author of the passage is discussing the two ways in which we can perceive space when we listen to music. The first way is in a metaphorical sense, as when we perceive the sense of height or depth that is suggested by the melody, harmony, or rhythm of a piece. The second way is in a physical sense, as when we perceive the location of the sound source in the room or environment.
The author argues that the experience of physical space is similar for both musical and non-musical sounds. Both types of sounds can be perceived as coming from a specific location, and both can be identified as coming from an object or group of objects.
However, the experience of metaphorical space is different for musical and non-musical sounds. Musical sounds can evoke a sense of space that goes beyond the physical information provided by the sound source. For example, a rising melody can evoke a sense of height, even if the sound source is actually at ground level.
This difference between metaphorical and physical space is important for understanding the difference between the musical experience and the experience of non-musical sounds. The musical experience is not just a matter of physical perceptions, but also of emotional and cognitive perceptions. The musical characteristics, such as melody, harmony, and rhythm, can evoke images and sensations that go beyond the physical information provided by the sound source.
For example, a piece of music that uses complex counterpoint can evoke a sense of complexity and movement, even if the sound sources are actually static. A piece of music that uses dissonant harmony can evoke a sense of tension and conflict, even if the sound sources are actually harmonious.
These differences between metaphorical and physical space are what make music such a rich and engaging experience. Music can evoke a sense of space that goes beyond our physical perceptions, transporting us to a new and imaginary world.
Additional notes:
- The author uses the term "matryoshka model" to refer to a model of how we perceive the spatial relationships between multiple sound sources. The matryoshka model is based on the Russian nesting dolls, which are a set of dolls that fit inside each other. In the same way, sound sources can be nested inside each other, with each sound source providing additional information about the spatial location of the other sound sources.
- The author suggests that if we want to understand the difference between the musical experience and the experience of non-musical sounds in relation to space, we need to focus on the experience of metaphorical space. This is because the experience of physical space is similar for both musical and non-musical sounds, while the experience of metaphorical space is what distinguishes musical sounds from non-musical sounds.
Rhythm, Melody, and Harmony : SPATIAL ARTS
Architecture and music are two very different art forms, but they are also connected in many ways.
Both architecture and music are spatial arts. They both create experiences that are perceived over time and space. When we enter a building, we experience the space in a sequence, moving from one room to another. When we listen to music, we experience the sound in a sequence, from one note to the next.
Both architecture and music use rhythm, melody, and harmony to create structure and emotion. Rhythm is the repetition of patterns over time. Melody is a sequence of notes. Harmony is the relationship between different notes played at the same time. Architects use rhythm, melody, and harmony to create a sense of flow and balance in their buildings. Musicians use rhythm, melody, and harmony to create a sense of structure and emotion in their music.
Both architecture and music can evoke strong emotions in people. A beautiful building can make us feel awe-inspired and happy. A moving piece of music can make us feel sad, joyful, or angry. Architects and musicians both use their art to create emotional responses in their audience.
Here are some specific examples of the connections between architecture and music:
- The shape of a concert hall can affect the sound of the music played inside it. Architects design concert halls to create the best possible acoustic experience for the audience.
- Some composers have been inspired by architecture in their work. For example, the French composer Olivier Messiaen was inspired by the architecture of Notre Dame Cathedral when he wrote his piece "Quartet for the End of Time."
- Some architects have been inspired by music in their work. For example, the Finnish architect Alvar Aalto designed concert halls and churches that are shaped like musical instruments.
Overall, architecture and music are two art forms that are connected in many ways. They both use rhythm, melody, and harmony to create structure and emotion. They can both evoke strong emotions in people. And they can both inspire each other.
FASCINATING BRUTALISM - FASCINANTNI BRUTALIZAM
Brutalism is a style of architecture that emerged in the 1950s and was popular until the 1970s. It is characterized by its use of raw concrete, geometric shapes, and large-scale structures. Brutalism has been criticized for its harsh and unforgiving appearance, but it is also admired for its boldness, originality, and social idealism.
There are a number of reasons why Brutalism is so fascinating. First, it is a highly distinctive style. Brutalist buildings are often unlike anything else, with their bold forms and exposed concrete surfaces. This makes them stand out from the crowd and catch the eye.
Second, Brutalism is a style that is full of contradictions. On the one hand, it is often associated with harshness and severity. On the other hand, it can also be seen as a symbol of social idealism and a desire to create a better world. This ambiguity is part of what makes Brutalism so compelling.
Third, Brutalism is a style that is constantly evolving. While the core principles of Brutalism remain the same, there is a wide range of variation within the style. This makes it a dynamic and exciting style to explore.
Here are some specific reasons why people find Brutalism so fascinating:
- Its scale and monumentality. Brutalist buildings are often very large and imposing, which can be both awe-inspiring and intimidating.
- Its use of raw materials. Brutalist buildings are often made of exposed concrete, which gives them a raw and unfinished look. This can be seen as a symbol of honesty and authenticity.
- Its geometric simplicity. Brutalist buildings often have simple geometric shapes, such as cubes, rectangles, and triangles. This simplicity can be seen as a reflection of the Brutalist belief in the importance of function over form.
- Its social idealism. Brutalism was originally conceived as a way to create affordable and high-quality housing for everyone. Many Brutalist buildings were built in low-income areas, and they were designed to be both functional and aesthetically pleasing.
While Brutalism is not for everyone, it is a style that continues to fascinate and inspire people around the world. Its boldness, originality, and social idealism make it a style that is worth exploring and understanding.
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SEONSAENG NEAR ME : PREDRAG PETROVIC, SEO EXPERT
The best SEO strategist in Belgrade is a matter of opinion, but one of the most respected and experienced is Predrag Petrovic. Petrovic is the founder and CEO of Total Dizajn Digital Marketing Agency, and he has over 10 years of experience in SEO. He is also a regular speaker at industry events and conferences, and he has been featured in many respectable publications.
Petrovic is known for his holistic approach to SEO, which takes into account all aspects of a website, from its technical structure to its content and social media presence. He is also a strong advocate for white hat SEO practices, which focus on long-term results rather than quick fixes.
When choosing an SEO strategist, it is important to consider your specific needs and budget. It is also important to find someone who has a good track record and who can clearly explain their approach to SEO.
Here are some tips for finding a good SEO strategist:
- Ask for recommendations from other businesses in your industry.
- Check online reviews and testimonials.
- Interview several different strategists before making a decision.
- Make sure the strategist you choose has a clear understanding of your business goals and your target audience.
- Ask about the strategist's experience and track record.
- Be sure to get everything in writing, including the scope of work and the deliverables.
Once you have chosen an SEO strategist, it is important to be patient and to trust the process. SEO takes time and effort to produce results, but it is a long-term investment that can pay off handsomely.
SEONSAENG NEAR ME BEOGRAD SRBIJA BALKAN
BELGRADE, SERBIA, EAST EUROPE, EUROPEAN SEO STRATEGY
YOUTUBE kampanja Digital Marketing Strategist Balkan ☑️
Da pokrenite YouTube kampanju, potrebno je da:
- Kreirajte YouTube kanal. Ako već nemate YouTube kanal, kreirajte ga besplatno.
- Kreirajte Google Ads nalog. Ako već nemate Google Ads nalog, kreirajte ga besplatno.
- Povežite svoj YouTube kanal i Google Ads nalog. To možete učiniti tako što ćete se u oba naloga prijaviti sa istim Gmail nalogom.
- Kreirajte video oglas. Vaš video oglas treba da bude relevantan za vašu publiku i da ima jasnu poruku.
- Odredite ciljanu publiku. Google Ads vam omogućava da ciljate svoju publiku na osnovu demografskih podataka, interesa, gledanih videozapisa i drugih kriterija.
- Postavite budžet i cjenovnu strategiju. Google Ads vam omogućava da postavite dnevni ili mjesečni budžet za svoju kampanju. Također možete odabrati cjenovnu strategiju koja odgovara vašim ciljevima.
- Pokrenite kampanju. Kada ste postavili sve parametre kampanje, možete je pokrenuti. Google Ads će zatim počinjati da prikazuje vaš video oglas vašoj ciljanoj publici.
Evo nekoliko dodatnih savjeta za pokretanje uspješne YouTube kampanje:
- Kreirajte odlične videozapise. Vaši videozapisi trebaju da budu zanimljivi, informativni i relevantni za vašu ciljanu publiku.
- Ciljajte pravu publiku. Koristite Google Ads da ciljate svoju publiku na osnovu demografskih podataka, interesa, gledanih videozapisa i drugih kriterija.
- Postavite realan budžet. Google Ads vam omogućava da postavite dnevni ili mjesečni budžet za svoju kampanju. Odredite budžet koji se uklapa u vaš marketinški plan.
- Praćite rezultate kampanje. Google Ads vam pruža detaljne izvještaje o performansama vaše kampanje. Koristite te izvještaje da optimizirate svoju kampanju i poboljšate rezultate.
Ako vam je potrebna dodatna pomoć, možete se obratiti Google Ads podršci.
Monday, October 9, 2023
Google optimizacija sajta Expert za SEO - Predrag Petrović Total Dizajn: INTERLINKED Digital Marketing Strategist
